Joshua Oppenheimer's unique vision about a subterrain post apocalyptic world needed a bit of VFX assistance to tie the different locations together in a seamless flow. Production VFX supervisor Peter Hjorth and I once again teamed up and with the great assistance from Scope VFX, Edithouse and JA film we produced over 350 VFX shots.

The stunning end shot in the world of plankton was created by JA Film:

The film had its world premiere at the 2024 Telluride Film Festival and competed in Toronto later in that year.

Scope VFX connected the wonderful set build by Jette Lehmann with the tunnels outside: