This film brought me to the Philippines to arrange and shoot what is probably the country's first virtual production scene. A challenging task so close to the pandemic but a great local team paired up with VP tech Mikkel Kapper Persson from Denmark to produce a scene that would otherwise have needed extensive visual effects in post. 

Visual effects again supervised by my good friend Peter Hjorth and excellently executed by Benuts in Belgium.

Still unreleased but with a premiere planned for the 2024, watch out for breakdowns and a film that will provoke unexpected thought and emotions.