This film brought me to the Philippines to arrange and shoot what is probably the country's first virtual production scene. A challenging task so close to the pandemic but a great local team paired up with VP tech Mikkel Kapper Persson from Denmark to produce a scene that would otherwise have needed extensive visual effects in post. 

Visual effects again supervised by my good friend Peter Hjorth and excellently executed by Benuts in Belgium.

The film premiered with great success at Movies That Matter in Den Haag and went on to win the best film award at Torino Film Festival. A strong story about a very difficult subject.